![Henri Guérard's etching of Manet's painting, “A Bar at the Folies-Bergère”, 1884 (2nd impression) - Prints and Principles Henri Guérard's etching of Manet's painting, “A Bar at the Folies-Bergère”, 1884 (2nd impression) - Prints and Principles](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtjZiXKyeXVp1Xp7w4FFvURhGfs1Ho-6CXfp0OOrxCNEG3F47fzlkyQEIXsrXShVcbfwHA2LkJNrRclwwPvLW8bhttEfjab2Xo2H-7XsjpYTt5vd_4SOavEoct9ta1jirR0hH36NOLP3zhMc0cd55Dzvy7ZYUzlCGYqdl59q6MjcUtHmcjcpRtgPRF/w1200-h630-p-k-no-nu/Guerard_FoliesBergereNo2_plate.jpg)
Henri Guérard's etching of Manet's painting, “A Bar at the Folies-Bergère”, 1884 (2nd impression) - Prints and Principles
![Prints and Principles: Jacques Philippe Le Bas' etching with engraving, “Le Midy”, 1742, after Nicolaes Berchem Prints and Principles: Jacques Philippe Le Bas' etching with engraving, “Le Midy”, 1742, after Nicolaes Berchem](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh31f5ybRL6AQNPyKO90bd8mFPCj6NiwGLv0bb95Wj6NJoC06E_35dZ-FoPlD7eP2hy8XuTc5EBvsFavh0gU3ybUxrCmguNcdipyRj5eR2I2c7GOAFT2Vuvxs_4ZiT721rsEVHDW_EHKlTXnH_W_9Lbo_x4vvYL7XwIMJ2BxEK57c7izmbzSoc_boGf/s2304/Bas_LeMidy_sheet_small.jpg)
Prints and Principles: Jacques Philippe Le Bas' etching with engraving, “Le Midy”, 1742, after Nicolaes Berchem
![Prints and Principles: William Haussoullier's engraving, “Augustus, Octavia and Livia”, 1869, after Jean Auguste Dominique Ingres Prints and Principles: William Haussoullier's engraving, “Augustus, Octavia and Livia”, 1869, after Jean Auguste Dominique Ingres](https://1.bp.blogspot.com/-mRYgJ1Nn9Dw/YJEJRFnmx8I/AAAAAAAAvNo/Mm2c_vGqgksCjbxZWBiklv5KXiS1EUJXwCLcBGAsYHQ/s2048/Haussoullier_AugustusOctavia%2526Livia_sheet_small.jpg)
Prints and Principles: William Haussoullier's engraving, “Augustus, Octavia and Livia”, 1869, after Jean Auguste Dominique Ingres
![Prints and Principles: Henri Guérard's mezzotint with etching, “Sibylla Delphica”, 1887, after Edward Burne-Jones Prints and Principles: Henri Guérard's mezzotint with etching, “Sibylla Delphica”, 1887, after Edward Burne-Jones](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3bsZaeji4GcbGoDdZV4dSWbHrxoK145ShmLhYkOpT3wETcUwuXUYt3VKEKJ8ZBVT4btHPoMQUb59ZLyERdawcpgELpMszWqxQogj1SNAHeVqm1bOz4zte4Nlt_4WpUFAQNU0GGx06HW4r2ZL4cZZdLuHHSycO0zayYY9gqowSdUvmN1iYla7SUZYg/s1980/Guerard_SibyllaDelphica_composite.jpg)
Prints and Principles: Henri Guérard's mezzotint with etching, “Sibylla Delphica”, 1887, after Edward Burne-Jones
![Engraving by an unidentified artist from the circle of Jan Sadeler I, “Saint Antiochus”, c1610 - Prints and Principles Engraving by an unidentified artist from the circle of Jan Sadeler I, “Saint Antiochus”, c1610 - Prints and Principles](https://1.bp.blogspot.com/-aT9lcwqARnc/X7DpOYk-TFI/AAAAAAAAsB0/VxpIXqKFV3I6XuKIDItnB7nVyPtVPWBkQCLcBGAsYHQ/w1200-h630-p-k-no-nu/Sadeler_SaintAntiochus_sheet_small.jpg)
Engraving by an unidentified artist from the circle of Jan Sadeler I, “Saint Antiochus”, c1610 - Prints and Principles
![Prints and Principles: Félix Augustin Milius' etching, “Van der Meer dans son Atelier”, c1883, after Jan Vermeer Prints and Principles: Félix Augustin Milius' etching, “Van der Meer dans son Atelier”, c1883, after Jan Vermeer](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiajw1IEFc_Ieu-lHZ1rSeDrryntrJdN8M0zTCftKmdjdBafRPQJT5C23udo5PwkJngqJ-y3x6vUo3lCLj7gZ6Bd3eNQtzgx7I0DH14FZ-rJq7Eu2Dw2A2L-a8jEB2yuDZ9H5sHf4hq-atSAJ6Lk_6pH47pRMT_3ozN9AvTK3l644KOCedUKlhb3vKb/s2560/Milius_VermeerStudio_sheet.jpg)
Prints and Principles: Félix Augustin Milius' etching, “Van der Meer dans son Atelier”, c1883, after Jan Vermeer
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